The Golden Shadow ~ The Parts of Yourself You Were Taught Not to Want

Most people come to shadow work through the difficult material.

The rage that surfaces at inconvenient moments. The jealousy that reveals something you would rather not know about what you want. The capacity for cruelty or selfishness or manipulation that you recognise in yourself with a discomfort that is its own form of information. These are the contents of the shadow that the tradition most commonly describes. The parts of the self that were deemed unacceptable and pushed below the threshold of conscious identity.

Grounding and Shielding ~ The Two Practices Every Practitioner Needs

If there are two practices that form the absolute bedrock of energetic work, it is these.

Not because they are the most exciting – they aren’t. Not because they produce dramatic results you can point to – they often don’t, at least not immediately. But because without them, every other practice you do is built on an unstable foundation, and the longer you work without them, the more clearly you will eventually feel their absence.

Mother Shipton ~ The Witch of Knaresborough ~ A Guide to England’s Most Famous Prophetess

There is a cave above the River Nidd in Knaresborough, North Yorkshire, that has been drawing visitors since 1630. It is, by some counts, the oldest tourist attraction in England. People have been coming to look at it – and to feel whatever it is that places of concentrated legend carry in their stones – for nearly four hundred years.

Writing as Spellwork ~ How Words on a Page Change the World

Every spell is a piece of writing. Not in the trivial sense that spells are sometimes written down, though they are. But in the deeper sense that a spell and a piece of genuine writing are doing the same fundamental thing. Taking something that exists only in the mind – an intention, a feeling, a vision of how things could be different – and giving it a form that can exist in the world. Making the invisible visible. Pushing something from the inner realm into the outer one through the shaping power of words.

Mictecacihuatl ~ The Lady of the Dead Who Survived the Conquest

Every culture that has lasted long enough has had to find a way to hold death.

Not to explain it, not to make it comfortable, not to wrap it in promises about what comes after – but to hold it. To give it a face and a name and a place in the world that allows the living to go on living while staying in honest relationship with the fact that they won’t always be able to. The deities who preside over death in the world’s traditions are, for this reason, among the oldest and most consistently present figures in the human spiritual imagination. They predate most theology. They outlast most of the civilisations that named them.

The Aztec civilization named theirs with particular precision.

Her name in Nahuatl is Mictecacihuatl – pronounced Meek-te-kah-see-wah-tl – and it means, simply, Lady of the Dead. She has been watching over the bones of the deceased for at least eight centuries of documented history. She survived the Spanish conquest that destroyed most of what Aztec civilisation had built. She survived the forced conversion that replaced her temples with churches and her priests with Catholic missionaries. She survived – transformed, syncretised, renamed, driven underground and then surfacing again under different faces – and today she presides over Día de los Muertos, the most widely celebrated death festival in the Western Hemisphere.

Who Gets to Teach Witchcraft?

I’ve been thinking about this question for a while, and I want to be honest about why.

Building CraftTalk means I am, in some capacity, a person who teaches things. I write about practice. I frame how topics are approached. I make editorial decisions about what gets covered and how. Whether I call myself a teacher or not, the function is there, and that means the question applies to me too. I’m not writing this from a comfortable distance.

So. Who gets to teach witchcraft?